Selected work:Chain of Circumstances(screendance version), for the 6th edition of the International Symposium of New Music (SiMN 2023), sponsored by Núcleo Música Nova of the State University of Paraná (Brazil), November 2023.
Finalist, 46th Annual Festival of New American Music Call for Scores, Sacramento State University (Recombinant).
Selected work:Chain of Circumstances (screendance version), for the 7th annual Research on Contemporary Composition conference at the University of North Georgia, October 2023.
Guest composer, Michigan State University (East Lansing, MI), 6 October 2023.
Guest composer, Wayne State University (Detroit, MI), 4 October 2023.
Accepted for presentation: "New Approaches to Pitch in Three Recent Works for Historical Keyboards" at the 63rd Annual Organ Conference at the University of Michigan, October 2023.
Accepted for presentation: "A Comprehensive-Immersive Approach to Beginning Composition Instruction: a 25th-Year Report from the University of North Texas" for Teaching Composition: A Symposium on Composition Pedagogy at the University of Utah, September 2023.
Selected work,Chain of Circumstances(screendance version), for Society for Electro-Acoustic Music in the United States (SEAMUS) 2023 Conference, April 2023.
Selected for CD release,Der Saus und Braus, Society of Composers, Inc. CD Series, Volume 35 (PARMA Recordings, 2023).
Selected composer, Tempo Reale Lampi di Rete—online audiovisual marathon, sponsored by the International Confederation of Electroacoustic Music—CIME/ICME, March 2022 (Chain of Circumstances — screendance version).
Selected composer, 2022 Festival of Contemporary Art Music at Washington State University, March 2022 (Chain of Circumstances — screendance version).
Finalist, NYC Contemporary Music Symposium at Columbia University 2022 ("Unweaving a Rainbow" from An Unaware Cosmos).
Selected composer, Boston New Music Initiative Prismatic Congruency Series, March 2022 (Der Tückenfänger).
Accepted for presentation: "Modular, Recombinant, and Concurrent Approaches to Musical Form: Two Recent Works with Guitar" and performance of An Unaware Cosmosat The 21st Century Guitar conference, Ball State University, March 2022.
Radio broadcast of Zwei Parabeln nach Franz Kafka on WWFM-Trenton, as part of their weekly program "Celebrating Our Musical Future," 8 October 2018; this program is archived on the WWFM-Trenton website.
Featured speaker for the Philadelphia premiere of Frank Zappa's The Yellow Shark, performed by Orchestra 2001 at The Fillmore Philly in April 2018. This event was supported by a grant from The Pew Center for Arts & Heritage, and also included programs featuring music by Edgard Varèse, Igor Stravinsky, Anton Webern, and Pierre Boulez.
Article on the Music of Frank Zappa course appeared in the 16 February 2018 Dallas Observer.
Accepted for presentation: "Practical Applications of D’Arcy Wentworth Thompson’s On Growth and Form on Musical Materials and Structures" at the On Growth and Form Centenary Conference, 13-15 October 2017 at the University of St. Andrews (Scotland). The paper includes a discussion of three original compositions related to Thompson's work: Occam's Razor,the road in its unfoldings, and Interstices.
Interview with flutist and UNT colleague Elizabeth McNutt posted on her blog site, New Music Pioneer (15 September 2016).