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Der Demutsahne (The Humility-forbear) — character study after Elias Canetti
for Matthew Elgart
September - October 2008; edited January 2013 by Joseph Mirandilla
Solo works from this collection may be programmed as a set, or in conjunction with the semi-improvisational, open-form works Canetti-menagerie (for five to eight instruments) or Conversations (for two to four instruments), which use these works as source material for improvisational interplay.
Aaron Dozal, guitar
Chaz Underriner, guitar
Michael Morey, guitar
Armin Abdihodzic, guitar
Joseph Mirandilla, guitar
audio recording (Soundcloud)
Recorded April 2013; Joseph Mirandilla, guitar.
Rehearsal of Der Demutsahne with Joseph Mirandilla at Sichuan Conservatory of Music (Chengdu, China; 25 May 2012).
Der Demutsahne ("The Humility-forebear") is the tenth in a series of short works for solo instrument based upon characters in Der Ohrenzeuge: Fünfzig Charaktere ("Earwitness: Fifty Characters"), written in 1974 by the Bulgarian-born British-Austrian novelist Elias Canetti (1905-1994). Canetti’s distinctive studies incorporate poetic imagery, singular insights, and unabashed wordplay to create fifty ironic paradigms of human behavior. This collection of works, begun in 1997, was inspired by the vividly surreal depictions of Canetti’s characters and includes works for contrabass, violin, bass flute, ocarina, contrabassoon, glass harmonica, trumpet, percussion, bass saxophone, piccolo, organ, basset horn, and violoncello, among others. In Canetti's depiction of this character, The Humility-forbear "twists from one submission to another… He knows that a person who is eager to die will practice submission early on, and the trick is to live in the teeth of this insight.... [He] practices bearing up under his hardship... [and] does it so well that he is sometimes pricked by malice; then he succeeds in intercepting a hardship before it properly arrives."
Der Demutsahne was composed in September of 2008 for guitarist Matthew Elgart, and first performed on 26 May 2012 at the Sichuan Conservatory of Music (Chengdu, China) by guitarist Joseph Mirandilla. It is included on the album Improbable Encounters (innova 873, 2014).