Der Ohrenzeuge

Complete Work Title: 

Der Ohrenzeuge (The Earwitness) — character study after Elias Canetti


Performance Medium: 

solo bass flute


Duration: 

c.5:00


Dedication: 

to Helen Bledsoe


Date Composed: 

September 2000 - January 2001


Performance Information: 

Included on the album Improbable Encounters (innova 873, 2014).


Performance History: 

Lisa Bost-Sandberg, bass flute:
• 2 April 2016; North Dakota Museum of Art (Grand Forks, ND)
• 10 March 2016; Faith Lutheran Church (Bismarck, ND) — Bismarck-Mandan Symphony Orchestra Rush Hour Concert
• 18 May 2011; Lawrence University Conservatory of Music (Appleton, WI)
• 25 April 2011; University of North Texas (Denton, TX)
• 6 March 2011; Voices of Change Salon Concert (Dallas, TX)
• 9 October 2009; Clarke University (Dubuque, IA) — Society of Composers, Inc. Region V Conference
• 27 March 2009; University of North Texas (Denton, TX)

Helen Bledsoe, bass flute:
• 6 April 2001; University of Washington (Seattle, WA)
• 27 March 2001; University of North Texas (Denton, TX)
• 25 February 2001; Posthoornkerk (Amsterdam, Netherlands) — "The Great Virtuoso Slugfest" [premiere]


Program Notes: 

Der Ohrenzeuge ("The Earwitness") is the sixth in a series of short works for solo instrument based upon the vividly surreal characters in Der Ohrenzeuge: Fünfzig Charaktere ("Earwitness: Fifty Characters"), written in 1974 by the Bulgarian-born British-Austrian novelist Elias Canetti (1905-1994). Canetti’s distinctive studies incorporate poetic imagery, singular insights, and unabashed wordplay to create fifty ironic paradigms of human behavior. Begun in 1997, there are fifteen works in this series to date, composed for contrabass, violin, contrabassoon, ocarina, glass harmonica, bass flute, alto saxophone, trumpet, percussion, bass saxophone, guitar, piccolo, organ, basset horn, and violoncello. In Canetti's depiction of this character, The Earwitness “comes, halts, huddles unnoticed in a corner, peers into a book or display, hears whatever is to be heard, and moves away untouched and absent.” Accordingly, the work itself quotes fragments of nearly two dozen Twentieth-century works from the flute and bass flute repertoire.

Der Ohrenzeuge was composed between September 2000 and January 2001 for flutist Helen Bledsoe, who first performed the work on 25 February 2001 at the Posthoornkerk in Amsterdam. It is included on the albumImprobable Encounters (innova 873, 2014).